The Wind-Up Murder

It’s just past sunset when Anusha and I are called down to the Scuttles. We make our landing approach slowly, red and blue lights spinning. A few people look up; some make rude gestures. Most ignore us. The sleepas want their next fix; the workers just want to get home.

The car doors open and we’re greeted by a rising tide of odor: fuel, frying food, sweat, and the sweet breath of crank. It’s almost relaxing, especially compared to when Krimson was still on the streets and a bitter scent foretold violence.

Colin waves us past the blinking “caution” barrier. “Victim is male, 24,” he says. “The perp, the victim’s brother, emptied a clip into him, then started screaming for help.”

Anusha frowns. “He didn’t run?”

“He was still there screaming when we arrived. Only reason he stopped is because he blew his voice out.”

The apartment doors open and two cops emerge, hauling a struggling figure between them. The perpetrator is around thirty, with the pallor of someone on a computer too much. The distinct aroma of crank accompanies him. As they pass, he reaches toward me with bloody hands. “Wind it up,” he gasps, staring vacantly. “Wind it up.”

Anusha wrinkles her nose. “Pia, you take me to all the nicest places.”

“You get drug-fueled murders in Pearltower, too.” I lead the way inside. “Usually not because of crank, though.”

Inside, I feel like I’ve stepped back in time. The walls are covered in antiques: clocks, fading photographs, travel posters. The gentle tick of the multitude of clocks is soothing, like listening to rain.

Wind it up, I think. But there are dozens of clocks here, and as far as I can tell, they’re all working. I squeeze past one of the evidence techs as they scan blood splashes in the perpetrator’s office. The walls are half high-tech, half museum, with computer towers and monitors crowding two walls and the others loaded with clocks. I study them, but none of these need winding, either. If the room wasn’t full of people talking and scanning, the soothing ticking would envelop the space.

“Why does a sleepa tech geek have a bunch of old junk?” Anusha asks, tapping the glass on one of the clocks.

“Why did a sleepa tech geek shoot his brother repeatedly, then call for help?”

The victim’s body lies surrounded by shards of glass and shattered wood; he’d staggered back into some clocks, destroying them.

“Here.” Anusha kneels and waves a hand over a tagged twist-ignition pipe. At her gesture, a display blooms from the tag, confirming the presence of crank and the perpetrator’s DNA. “What kind of crank causes rage?”

“No kind.” I circle the room. The ticking clocks are spotless; he must dust them every time he winds them. I scan them, but there’s no trace of hidden tech. The biggest clock hangs over the desk. It has three hefty weights that would need winding daily – and mounted behind the weights is a camera.

“Hey!” I wave the techs over. “Got a hidden camera. Probably recorded the murder.”

I make way for the techs as they crowd around, scanners flashing. Almost immediately they turn back, looking disappointed.

“It’s not real,” one of them says. “Lots of Scuttles residents put up fakes to deter thieves.”

“What now?” Anusha asks.

I study the room. My gaze lands on the tagged pipe. It’s self-igniting, but requires a twisting motion – like winding a clock.

I pluck the pipe from the floor and twist.

“Pia! What are you doing?”

I smell the crank start burning inside the pipe, but I catch the scent of something else – something bitter.

“Do you smell that?”

She kneels beside me and breathes. “No way. Krimson?”

“Masks,” I order, but even one breath has had an effect: Anusha’s proximity is suddenly infuriating, and the racket from these goddamn clocks –

A mask seals over my face. Techs pin my arms to my sides; one of them has put the mask on me. We’re in the hallway. Anusha is nearby, similarly restrained, bleeding from her hairline.

“You’re bleeding,” I say.

“Yeah. You hit me with a keyboard.”

“Sorry.”

Seeing we’ve recovered, the techs release us. A squad of masked cleaners rushes past to secure the drugs.

Anusha presses gauze to her forehead. “So who hated that guy enough to dose him with Krimson?”

I think about the man’s bloody hands: there were really two victims here tonight. “We’d better get to work.”

Photo by Drew Graham on Unsplash
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5 thoughts on “The Wind-Up Murder

  1. I like the set up to this – that the MC isn’t taking the situation at face value but wants to learn what actually happened. Even with the gritty, crime aspect to this, you manage to keep it lighthearted, like in the line “Yeah. You hit me with a keyboard.” I want to know the rest of the story!

  2. Yet again, I have a real sense of the world I am in in such a short amount of word-time. Krimson and crank are clear to me without you having to define them. I just wondered about Anusha and Pia’s relationship. Anusha’s quip “You bring me to all the nicest places” could read a few ways without knowing for sure if they are co-workers.

  3. Pingback: YeahWrite #359: Popular Vote Winners and Editors' Picks

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